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As
with taxi-drivers, most people only see
a back-view of professional concert photographers
as they are usually clustered in the photo-pit
aiming at the action.
But here we come face to face with
NOEL BUCKLEY
who is the man behind the lens at Clive Aid,
the Cambridge Rock Festival, and many more.
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always great when a hobby can become a career,
but you were able to combine two hobbies, photography
and going to gigs, and now take photos professionally
at many shows, including prestigious London concerts.
How did that come about?
I've been into photography for about thirty years,
even studying it at college for a while. For years
I did bits for the local paper and the odd wedding
here and there, but never found anything that
sparked a true passion.This all changed when Del
Bromham from Stray asked me to photograpgh the
band live - at last I had found my calling! For
quite a while I shot local bands and friends'
bands. This led to the best bit fortune one could
ask for. friends band (Kavo) landed the support
spot with Simply Red a few years back, and whilst
I was at Birmingham NEC I meet legendary photographer
Danny Clifford. Danny asked to see some of my
work, which he seemed to like, and offered to
help me. This included tips on how to get work,
getting photos syndicated, and working on web
sites etc.I can never thank Danny enough for the
help and guidance he showed me. Once my photos
were syndicated I found this led to being able
to photograph bigger bands and of course work
at bigger venues.
You
recently worked at the Cambridge Rock Festival
- tell us about that.
The
Cambridge Rock Festival was fantastic. Hats off
to Dave Roberts and all the organisers as this
was a brilliant festival. I had not camped for
forty years, since I was in the scouts, but it
turns out that after a few beers you can sleep
through anything! Highlights for me were Eddie
and the Hot Rods, who delivered a blistering set
on the Friday night. Stray delivered a magnificent
set on the Saturday, but it was a pity they were
not on later (3.15pm is not the best time!). Other
highlights were Deborah Bonham - what a fantastic
voice, and of course headliners Thunder. All in
all a great weekend.
What
are the highlights of your photographic career
so far?
One would be having my first published photo,
which was in Metal Hammer in 2000 - a photo of
Warrior Soul. Then there was my first Album cover,
which was Stray's ' 10 '. |
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And
also, joining the Clive Aid team The pinnacle
has to be this year at London's Brixton Acadamy.
Iron Maiden did a benefit gig for former drummer
Clive Burr. I went along to the gig with Clive.
When Maiden finished their set they got Clive
to join them on stage. I was trying to get shots
of Clive from the back of the stage, which wasn't
easy as the band were all around him.
At this point a certain Mr Rod Smallwood tapped
me on the shoulder and said "why don't you
just go on stage with Clive".
It doesn't get much better than being on stage
with Iron Maiden, so I may as well retire now...! |
At what show would you say you took your best
collection of photos?
Very hard to say, but bands with big lighting
rigs make life a hell of a lot easier, so if push
came to shove I would have to say that I always
seem to get good images of Status Quo.
Which
is your one favourite photo out of all the pictures
you've taken?
The photo I get the most feedback from is one
of Travis Barker (+44) taken at London's Astoria.
But my favourite shot is one of Mark Evans, of
Warrior Soul. For those who don't know, Mark was
murdered in London a couple of years back. Mark
and I grew up together. He was best man at my
wedding, and vice versa. The photo was taken at
LA2 in 2000, which was the last time Mark played
with the band in Europe. To me this is a very
happy photo and by the same token a poignantly
sad one.
What
camera do you use for concert photography? What
gadgets? Any special filters etc? What about for
non-stage pics?
Normally I take two cameras with me - a digital
Fuji S2 Pro, plus a Nickon 100. My favourite camera
is a very old Nickon FM, a dream of a camera.
I use no gadgets, no filters and have not mastered
Photoshop as my daughter won't show me. So what
you see is what you get.
The size and height of the stage must be quite
a factor in the way photos turn out. What are
your favourite venues for taking photos at?
The Cambridge Corn Exchange and the London Astoria.
Any
bugbears as regards certain venues?
Bad lighting, venues without
a photo-pit, and parking in Brixton!
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Do
you still enjoy a show as much, when you're seeing
it through a lens, compared to being there without
taking photos?
Funny, the answer to this question came to me
a few weeks back. I'd photographed the band GMT
a few times through Clive Aid. I knew they were
good, but while you're working most of it goes
over your head. However I went to see GMT in Southend,
without a camera, - and they weren't just good,
they were
awesome!
Some
performers seem more naturally photogenic than
others - who are your favourites, from a photography
point of view?
I find the answer to this comes in a couple of
ways. Some people seem to be very photogenic,
whilst others just look the part on stage. Liz
Prendagast from a band called Blue Horses is very
photogenic, Lulu has a smile that melts the ice
caps, Status Quo will give you lots of eye contact,
which also applies to Debbie Harry, and Natasha
Bedingfield is good to photograph as she comes
across as very warm. Robin Guy from GMT is also
a dream to photograph, one of the most visual
drummers I have ever seen - right up there with
Keith Moon! |
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Ever taken any embarrassing or funny 'out-take'
photos, e.g. microphone stands growing out of people's
heads etc? And if so, where can we see these pictures?
Loads of mic stands growing out of heads.... All
those pictures live quite happily in drawer in my
office, and that's where they're staying! Spoilsport!
What
is your opinion of the cheap point-n-shoot cameras,
disposable cameras, cellphone cameras etc?
I think they serve a purpose. I've seen lots of
good photos taken on disposable cameras at weddings
etc. Also, small digital cameras are great for
holidays and for keeping in your pocket for when
a photo-opportunity happens suddenly.
And
as a 'real' photographer, what do you think about
the way Photoshop etc has made it so easy for
everyone to enhance their photos without any camera
skills?
The sad part is a lot of young people getting
into photography just stick the camera on Auto
and let Photoshop do the rest, never learning
the basics. The first camera I ever owned was
a Praktika, costing £15 and fully manual
- so you had to learn to use it!
Who's
on your 'hit-list' of bands you'd like to shoot
(with a camera, of course!)
Baby Spice, The Stones, Baby Spice, Green Day,
and... err... did I mention Baby Spice? One
or twice... yes...
What
do you like doing in your spare time?
I enjoy going to concerts without a camera, going
to watch West Ham (no idea why!), playing 5-a-side
football, having a pint on Sundays with my mate
Rob (highlight of the week!), and eating out.
Plus I know this sounds naff but watching my daughter
Gemma grow up to be a music fan like myself -
she is just back from her first festival, which
was Reading.
What
advice would you give to fans taking photos at
gigs?
Get
as close as you can and avoid red lighting!
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© Get Ready To Roll - 3rd September 2007

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