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PIG
IRÖN
are forging a name for themselves
in the music business, hammering out their
own
striking brand of searing hot metal
tempered with bluesy rockandroll.

finds out about the time they opened the show
for Iron Maiden at the Hammersmith Apollo...
and about how they once sat in a 'church'
with
Pete Way, eating pizza, drinking champagne,
and talking about Class A locomotives.
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Hi guys, please introduce
the band members to us and tell us a bit about
the band, its timeline, and who does what.
HUGH:
Johnny
sings lead vocals and plays the blues harp, then
there's Dave on guitar (and occasionally on vocals),
Joe is the drummer and Ben also plays guitar.
I play bass, design the artwork and run Sounds
Of Caligula, our record label.
JOHNNY:
We’ve
been going for a few years now… 2001 I think?
We got together via an advert that I answered
in a record shop in Soho. I met Hugh in that band
– it didn’t work out, but Hugh said
he knew a guitarist and drummer (Dave and Joe),
so off we went to The Peel in Kingston. We started
jamming a few familiar tunes, and some I had never
heard before. Ben did our first gig filling in
for Dave, as he was away, so when we decided to
add a second guitar player at the end of last
year, he was an obvious choice. Dave is away a
lot, so when he is away we are a four piece –
when he’s here, we are a five piece. Our
first EP was released in 2005, and the album was
released at the end of last year. I think we’ve
done about 2-3000 copies of the album so far!
Not bad, with no manager and no major label behind
us!
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Your
2007 album 'The Paths Of Glory... Lead But To
The Grave' has had very positive feedback in
Classic Rock, Metal Hammer, Kerrang!, etc.,
and tracks have featured on the CR and MH covermount
discs. All the reviews home right in on the
full-throttle no-nonsense straight-down-the-line
molten metal ball-busting tunes. What are your
favourite tracks from the album to play live,
and why?
HUGH:
Classic Rock have especially been very supportive
from day one. The first press interview the
band gave was to Geoff Barton, who’s an
utter legend in the world of HM in the UK. Some
of the songs (Son of A Bitch, Thulsa Doom) are
really, really old now so I don’t enjoy
playing those as much as I used to. But I never
get bored of ‘The Pentagram’, or
the simpler rock songs either, such as Ruler
Of Tomorrow and What We Do. We used to do loads
of covers (American Woman, Deuce, Ace Of Spades)
which I kind of miss doing. The covermounts
are a useful way to get heard by a lot of people
who wouldn’t know you exist, and
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I’ve known venues such as The Carlisle in
Hastings put the first Classic Rock CD we were
on, on their jukebox because of us, which is really
cool as we didn’t have anything commercially
released at that time.
JOHNNY:
Yes,
we’re very lucky in that the press like
us. You can't buy publicity like that, and we
need it! My favourite songs are probably Battle
Malady, as it’s a real epic, Guns N Ammo,
as it’s an absolute stormer, and Lord Kill
The Pain – when we hit that just right,
it sends a shiver down my spine.
How
is the work progressing on the next album, and
how do you go about writing your songs?
HUGH:
Ben (the new blood in the band) seems to be very
prolific at the moment. We have two newly recorded
songs in the can, the germ of which came about
from myself and Ben jamming at my house, and then
working those up between the four - or five -
of us in a rehearsal situation. Usually the music
is worked out, ideally with all of us contributing
to the music, then Johnny will take that away
to write the lyrics.
JOHNNY:
The two new tracks were recorded almost as an
experiment, in Toerag Studios in London, which
is where the White Stripes recorded ‘Elephant’.
Electric Wizard had also just recorded there,
and since we had already been thinking about it
for ages, we thought ‘why not?’ As
we were only in for a weekend, we concentrated
on two songs, which both came out amazingly well,
in our opinion. Classic Rock contacted us and
asked us if we had any new material and we were
like: ‘yes!’ That song ‘Golden’
appeared on one of their covermount CDs earlier
this year. We are basically writing and demoing
stuff for the album now. We work best when we
all sit down in a room and jam ideas.
Pig
Irön have already appeared on the same bill
as classic names such as Pat Travers, Budgie and
Iron Maiden (more about that later!), and in December
you have a slot at the prestigious Hard Rock Hell
festival. How does it feel to see familiar faces
from previous gigs and know that you're building
up a regular loyal following ?
HUGH:
Pat Travers, Budgie etc. have an older crowd that
I knew would like us. On the whole, Maiden’s
crowd is much, much younger, but when we do get
younger kids in to our gigs, they seem to really
enjoy it.
JOHNNY:
To
see familiar faces is a really weird experience
for me, to be honest. To think that there are
people who come to our gigs is amazing –
and surreal. Hats off to these people –
they keep live music going. I cant wait for HRH
– it’s going to be awesome. To be
on the same bill as the people playing at that
festival is a real privilege – and we wont
waste an opportunity like that. Also, we are playing
on the Clive Aid stage, which is also a privilege.
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Earlier this year you toured with Waysted - and
lived to tell the tale... What were some of the
funniest/craziest/best/worst moments from the tour?
Any Pete Way tales to tell?
HUGH:
As far as the bass guitar is concerned, Pete Way
is an absolute god. I really like Waysted, but UFO
were absolutely THEE band to me as a kid.
When I was around 16, my school band always did
Doctor Doctor and Shoot Shoot. I wish I’d
taken more time to ask Pete about UFO, but a lot
of the time I didn’t want to hassle him too
much.
He was also the last person to actually show up
at any given gig, usually just before the soundcheck!
Lovely guy, and we’re pleased to be on the
same bill as him in December for Hard Rock Hell.
We did do some of our best |

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gigs on that tour, but The Yardbirds in Grimsby,
which was the clubhouse for the local biker chapter,
was probably the best. The whole band were great,
and Fin always had a tale to tell.
JOHNNY: Yes,
the guys at The Yardbirds seemed to like us and
invited us to the ‘after party’ in
their private area, downstairs. The place was
sacred – they called it their ‘church’.
It was a free bar and there was a stack of pizzas
the size of the room. We ate and drank because
we didn’t want to say no, so we came away
from that experience never wanting to eat pizza
again. Pete Way is awesome – he came in
with a mini bottle of champagne one day and started
talking to us about trains. He’s ace. It
was typical, in that we only really got into the
swing of the tour by the time it was finishing,
really – we could have carried on much longer!!
Apart
from Hard Rock Hell, where else can we see Pig
Irön this year?
HUGH: Check
out www.myspace.com/soundsofcaligula
for all your up to the minute Pig Irön news!
JOHNNY:
We
try and do as many gigs as we can – we are
meant to be playing in Hastings (another biker
town) on Halloween night - scary! - and we are
doing a warm-up gig at The Peel, Kingston before
Hard Rock Hell. Apart from that, we are mainly
trying to concentrate on writing new songs. Once
we get the new album out, we will do many more
gigs.
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Now,
back to the Hammersmith Apollo. That's quite a
stage to play! Talk us through that gig back in
September 2005 - the build up to it, the set itself,
the crowd, the welcome you got from Bruce, 'Arry
& Co., and the aftermath.
HUGH:
Myself and Dave first met when we both worked
for Maiden more than 10 years ago now. Getting
us on the bill was apparently Nicko’s idea,
hence he introduced us on the night. Our set was
only half an hour, but his intro was 10 minutes
long! Bless ‘im. I’m glad he did,
though. Before I worked for Maiden, I’d
been working on Bruce’s solo stuff, since
around 1995. As far as the gig was concerned,
every time I opened my eyes I could see 5,000
Iron Maiden fans waiting to see Iron Maiden! It
was also a privilege to have played on the legendary
stage of the Hammersmith Odeon. |
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JOHNNY: That
gig was unbelievable. I still watch the video
and think ‘did that happen??’ We have
the footage to prove it! It was absolutely awesome.
Unheard of, for a band in our situation. I think
many were envious – and we are still in
disbelief, ourselves! The build up to the gig
was tense – and I wanted to tell every person
I met - ‘Hello, I’m supporting Iron
Maiden’ etc… I was convinced that
I had lost my voice immediately prior to going
on. Nerves will do strange things to you! The
soundcheck was interesting – I was getting
my harmonica ready and one of the crew said to
me ‘there’s no harmonicas in metal!’
I obviously disagree. Strangely, when we came
to play the actual gig, my harmonica microphone
was not working… And I was too wrapped up
to even ask them to sort it out! We went down
quite well, considering everyone was there to
see Maiden – a very polite crowd. And we
got an amazing review in Kerrang, which was even
better! When we left the gig to go to the after-party,
a kid who was at the show saw me and was amazed
that I was getting the tube!
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What's
the best advice you've ever been given regarding
the music business,and who did that come from?
HUGH: This
may sound a bit weird, but having been in the music
industry for 15 years (all the bandmembers work
in the music industry), we’ve managed to steer
our way around the music industry. I didn’t
see a point in sending a demo to a record label
(unless they had asked for one) as I figured it
wouldn’t have even got listened to. We just
gigged and wrote and then recorded some music, and
once we were happy enough to play it to other people,
I got 100 CDs pressed up and sent them out with
a press release. From that we got very positive
reviews in Terrorizer and of course Classic Rock.
After
that, I contacted the two independent distributors
that I knew (Cargo and |

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Pinnacle), but the girl I knew at Pinnacle didn’t
reply as she was on holiday, so Cargo said they’d
be interested in distributing it. I did consider
doing it all myself, but getting it in to the
high street would have been a pain. So I don’t
think anyone’s given us any advice particularly.
I’m quite cynical as a person, but the reality
is we’ve sold a few thousand CDs with no
budget and little in the way of marketing. In
addition to that, we own outright our own masters
and publishing and we’re not unrecouped
to anyone. We also book our own gigs, which again,
can be a lot of hard work.
MySpace,
Facebook, Bebo etc.... which is best? And why
do so many different/similar networking sites
exist?
HUGH:
I personally don’t have the time to start
a Facebook page, but myself and Johnny run the
MySpace page.
JOHNNY:
MySpace
is better for bands, I reckon – it’s
just simpler, cleaner and to the point. There’s
too much messing around on Facebook for me. I
had a personal page and I deleted it – I
created a Pig Irön page instead. Its good
to be across these things.
What
would you like to say to rock fans out there who've
yet to see Pig Irön play?
HUGH:
I think the important thing is that we do it from
the heart. We’ve never chased a bandwagon
or trend and have never made or played any music
we weren’t totally comfortable with. Having
said that, we’ll probably sell out and make
a Chrimbo record with a school choir on some awful
cover version!
JOHNNY:
Live is where we come across the best, so please
come down and see us if you can. As Hugh says,
we’re not false – we play in-your–face,
good, bluesy rock and roll – and if that’s
the way you like it, I don’t think you’ll
be disappointed.
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Click on the links below to go to the Pig
Irön
website and MySpace page
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| © Get Ready To Roll - 8th October 2008
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